Anthropophagic pedagogy in the amplification of the repertory of cultural knowledge from pedagogy undergraduate students and their profess ors

Abstract

The text thematizes the power of an Anthropophagic Pedagogy in the initial formation of pedagogues, glimpsing the stimulation and the complexity of the repertoire of artistic-cultural and experiential knowledge of the students and their mediators of learning. This Pedagogy is understood as a foundation for deepening a diverse cultural formation in socio-political contexts, aiming to create elements for teaching, particularly in relation to the teaching of arts, a field of knowledge legally required of pedagogues. Authors such as Tardif (2007), when discussing knowledge and teacher training; Bondía (2002), regarding the knowledge of experience; Therrien (2010), when he discusses the teacher as mediator of knowledge; Pimenta (1997; 2006), when dealing with teacher training and praxis; Libâneo (2002) and Franco (2012), placing the field of Pedagogy and the pedagogue’s activity; Zeichner (2008), for bringing a complex look on reflexive teacher and its context of action; Duarte Junior (2010), when it comes to aesthetic education; Andrade (1924, 1928) and Barcelos e Silva (2008), when relating cultural anthropophagy and education, theoretically subsidize the study. As a methodological path, it is based on a theoretical and empirical study, including data from interviews developed with students of Pedagogy of a public university. The research problem is transcribed: to what extent has the university been contributing to guarantee access to artistic and cultural goods for students of the Pedagogy course? We conclude that the Anthropophagic Pedagogy constitutes a formation that aggregates educational actions of academic and cultural character, mobilizing learning that broaden theoretical and practical horizons, necessary for aesthetic education.