Uma leitura de O vampiro de Curitiba, de Dalton Trevisan, à luz do pós-moderno

Edner Morelli

doi:10.5585/dialogia.v6i0.1105

A reading of the O vampiro de Curitiba, a Dalton Trevisan story, by the knowledge of the postmodern

Authors

Edner Morelli Uninove, SP

DOI:

https://doi.org/10.5585/dialogia.v6i0.1105

Keywords:

Arte. Fragmentação. Literatura. Paródia. Pós-modernismo.

Abstract

In the article the objective is to display, briefly, the historical-social-artistic scene that involved the postmodernism. To present a reading of the Dalton Trevisan story O vampiro de Curitiba being prioritized the postmodern characteristic: the protagonist obsession for pleasure by contemplating the woman-object as a consumption mark; the language fragmentation, defying the classic structures of its kind and the parody atmosphere that surrounds the text in question.

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Author Biography

Edner Morelli, Uninove, SP

Especialista em Língua e Literatura – Universidade Metodista de São Paulo; Mestrando em Literatura e Crítica Literária – PUC-SP;Professor de Teoria da Literatura, Literatura Brasileira, Literatura e Cultura em Língua Portuguesa no Letras - Tradutor Intérprete – Uninove. São Paulo – SP

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Published

2008-07-29

How to Cite

MORELLI, Edner. A reading of the O vampiro de Curitiba, a Dalton Trevisan story, by the knowledge of the postmodern. Dialogia, [S. l.], v. 6, p. 77–84, 2008. DOI: 10.5585/dialogia.v6i0.1105. Disponível em: https://periodicos.uninove.br/dialogia/article/view/1105. Acesso em: 17 may. 2025.